
The Great California Art Movement: UC Davis Fine Art Alumni Exhibition (1960 - 199)
The exhibition is a historical survey of alumni and faculty at the University of California, Davis over the last 40 years. The exhibition will have historical photographs and ephemera and is accompanied by a 200 page book.The University of California, Davis ceramics department, TB-9 is now a historical landmark. The dusty halls of TB-9 became the birthplace of both the Funk and Figurative ceramics movements and was the main studio of Robert Arneson for over 30 years. “There was nothing, and so anything could happen. Arneson taught attitude, not style, and experimentation was encouraged.” The UC Davis Fine Art Department The UC Davis Masters of Fine Art Department maintained their prestigious status of top 2 in the nation, which produced some of the best artists and teachers in the United States. “I remember attending a meeting for the art department from the University of California system, and the first question was, they wanted everybody to define the philosophy of their department. Our philosophy was to not have a philosophy. If you wanted to work, it was marvelous. There was plenty of support. The creative support has been incredibly strong and so we got a lot accomplished.” -Robert Arneson
The Great California Art Movement, 1960’s-1990’s: UC Davis Fine Art Alumni Exhibition is an opportunity to see over 40 years of work from the UC Davis Fine Art Department in one place and what the artists are doing now. The amazing thing about this exhibition is the variety of medium and style that was produced. This goes to show that people coming from different backgrounds can come together to create amazing and influential art that continues through now four generations. The exhibition includes Arthur Gonzalez, Bruce Nauman, Chris Brown, Chris Unterseher, Dan Snyder, David Gilhooly, Deborah Butterfield, Don Fritz, Donna Billick, Frank Damiano, John Buck, John Roloff, Julia Couzens, Kurt Fishback, Lisa Reinertson, Lynda Frese, Rene Martucci, Richard Notkin, Robert Arneson, Robert Brady, Roy DeForest, Steven Kaltenbach, Tom Rippon, Victor Cicansky, Wayne Theibaud, William T. Wiley and so many more.

David Hollowell, Time and Space, 1989, oil on masonite, 30" x 80"

Don Fritz, Atomic Robot, 2012, raku fired ceramic, 18" x 10" x 5"

Donna Billick, Valley Butterflies, 2015, ceramic, cement, tile, and steel, 4 feet diameter

Kelly Detweiler, Still Life with Mask, acrylic on panel, 47" x 42"

Deborah Butterfield, Blue Found Steel, 1993, 37.25" x 53" x 14.5"

Peter VandenBerge, Vrouw, bronze, 32.5" x 21" x 14"

Robert Arneson, Bear Mask, ceramic, 19" x 16" x 7"

Arthur Gonzalez, The View from the Second Row of the Equator, 2016, 27" x 36" x 16"

Barbara Flaherty, Jacob and the Angel, 2014, oil on canvas, 30" x 40"

Bruce Guttin, Pair of Shoes, 1992, pine wood, 9" x 14" x 9"

Chris Brown, Four Frames, 1995, oil on canvas, 36" x 72"

Chris Daubert, 2-47, 2015, oil on canvas, 33" x 48"

Ralph Johnson, Ladderback Chair, 1980, wood, 83" x 16.5" x 26"

Pamela Peck, Wading a Measured Flow, glazed stoneware, 43" x 84" x 2.5"

Lori Holland, Horsing Around, 2016, low-fire ceramic, 37" x 21" x 16"

Heidi Bekebrede, Happy Cuteware Rocket, 2015, glazed ceramic and metal, 17.5" x 11" x 11"

William T Wiley, What's More in French, 1977, pen and ink on paper, 35" x 23"

Troy Dalton, Red Turban, 2002, acrylic on canvas, 60" x 54"

Tom Rippon, Ben Franklin Hotel, 1975, Porcelain, 16" x 14" x 9"

Ted Fontaine, Return to Mountain Purgatory, 2016, oil on canvas, 48" x 36"

Susan Brady, G's View, 2016, mixed media and oil on canvas, 24" x 48"

Sondra Diepen, Bordello Abandoned, 2016, archival digital print, 17" x 24"

Roy De Forest, Untiled, 1972, drawing, 26" x 30"

Bruce Nauman, Studies for Holograms, 1970, silkscreen, 29" x 33"

Bruce Nauman, Learned Helplessness, 1988, silkscreen, 18" x 20"

Cynthia Charters, September in My Garden Waiting for the Blood Moon Eclipse, 2016, oil, acrylic, and mixed media on canvas, 48" x 24"

Dan Snyder, Old Jade Celedon Muse, 2016, raku ceramic and marble, 76" x 16" x 14.5"

Dan Snyder, Sinking of the Titanic, Out Our Way, watercolor and ink on paper, 8.25" x 5.25"

Anya Speilman, Flush, 2015, oil on panel, 6" x 6"

Bob Bingham, Living Waters of Larimer Project, archival print, 61" x 44"

Charles Forseman, Covenants, 2016, oil on hardboard, 51" x 81"

Chris Unterseher, Ishiyama's Egg Dome, 2011, earthenware, 9" 9" x 1"

David Story, Pearl River and Big Muddy, 2015, oil on linen, 8" x 10" each

Don Asbill, Collage, 1995, 13.5" x 10.125"

Donald Gordon, Silo, 2016, acrylic on canvas, 16" x 20"

Ellen VanFleet, Dendritic Arbors, 2016, watercolor collage, 22" x 30"

Eva Aschelim, Bullet, 2013, oil and graphite on canvas and panel, 18" x 14"

Finley Fryer, Call to Prayer, 2016, oil on canvas, 60" x 48"

Frank Damiano, Overunder, oil n canvas, 48" x 48"

Gary Molitor, Shining with Isnowith, cone 6 cast porcelain, underglaze and overglaze, 14" x 8" x 11"

Gerald Walburg, Black and White, 2016, oil on canvas, 30" x 60"

Glenn Takai, Changing Our Old Ways, ceramic, 96" x 24" x 28"

Harvey Himmerlfarb, Dinosaur, New Orleans, 1988-1989, silver gelatin print

Jay Schmidt, Make America Great Again, 2916, ceramic, 21" x 6" x 6"

Jim Adamson, Funk Vase, 1966, clay, 11.75" x 6" x 6"

Jim Schantz, Atlantic Dusk, 2013, oil on canvas, 24" x 60"

Joanne Kamiya, Fushimi Inari (Fox Shrine), original digital print, 23.5" x 35"

John Roloff, 7th Climate (Paradise Reconsidered), 2006, inject on mylar, 54" x 57.75"

Joseph Mannino, Life Line , Portrait in DNA, 2015, stoneware, 22.5" x 14" x 1.5"

Julia Couzens, Insy-Outsy, 2013, Wire, rope, yarn, thread, plastic, found textiles, 33" x 31" x 21"

Julie Bozzi, Cloverfield Road, 105, 1978, watercolor, 3.5" x 9.5"

Lisa Reinertson, Deposition, 2013, ceramic, 72" x 38" x 36"

Lucian Pomplili, Loving Cup, 2007, porcelain, 3.25" x 3.25" x 2.75"

Lynda Frese, Secret History, 2016, pigment print and egg tempera, 12" x 16"

Mark McCloud, Barbie Returning the LSD to the People, gliclee print, 33" x 45"

Nancy Rubin, Color Installation, 1977, drawing, 24" x 39"

Marta Peluso, Nexus: Paris, 1987, toned silver gelatin print, 24" x 48"

Rene Martucci, Pillow Dog, 2013, ceramic, 24" x 12" x 12"

Richard Notkin, Ear #1, 2006, terra cotta

Richard Shaw, Wedding Cake, 1989, ceramic, 4.5" x 6" x 6"

Richard Whitten, Looking Glass, 2016, oil on panel, 32" x 31.5"

Robert Brady, Grid, 1975, ceramic, 20.5" x 20.5" x 11"

Roland Peterson, Picnic with Palm Trees, 1966, oil on canvas, 49.25" x 47.75

Ron Baron, Cow Girl, 2016, ceramic, 6" x 10" x 12"

Roy de Forest, Untitled, 1972, lithograph, 26" x 30"

Stephen Kaltenbach, Untitled, 1967, ceramic, 13" x 4" x 3"