The Beat Goes On: Poets as Painters
This exhibition is a unique opportunity to see the best poets of the Beat generation’s artwork in-person. Paintings, illustrations, self-portraiture, and portraits of Beat contemporaries will be on display by Jack Kerouac, Gregory Corso, Allen Ginsberg, Lawrence Ferlinghetti, Robert LaVigne, Mohammed Mrabet, Paul Bowles, Harold Norse, Carolyn Cassady, Brion Gysin, Lew Welch, Kenneth Patchen, William S. Burroughs, and Michael McClure. Joe Lee and John Natsoulas curated this incredible exhibition to show the incredible diversity of poetry, artwork, and ephemera of the Beat poets and painters.
Like all labels that stick, the nickname “Beat” richly and succinctly characterizes major aspects of its so-called movement, which sprang from the ecstatic and tortured rhythms of visionary poets, painters, and musicians. Tellingly, informatively, paradoxically, meanings of “beat” extend from a resolute self-affirming strike and an appointed path to their dark opposite–dissipated and hopelessly exhausted resolution or morale. “Beats” can also mean a dissonant battering set up by discordant patterns.
The Beat Goes On will run from November 10th through December 4th.
On November 13th from 6:30 to 10pm, there will be an opening night with live jazz and poetry, featuring performances by Gregory Carter Dr. Andy Jones, John Natsoulas, and Tony Passarell Trio. The Linda Bair Dance Company will perform the original dance “Jack Kerouac”.
Schedule
6:30 John Natsoulas will read with Tony Passarell Trio
6:40 – Gregory Carter will read poetry with Tony Passarell Trio
7:00 – Dr. Andy Jones will read a poem
7:15 – Introduce the Linda Bair Dance Co. – Eight dancers will perform to recordings of Jack Kerouac, Allen Ginsberg, and the music of Charlie Parker and Coleman Hawkins.
William S. Burroughs, Self Portrait, 1990, Acrylic on cadillac paper, 24" x 18"
Robert LaVigne, Natalie Jackson Portrait, 1954, watercolor, 25.5" x 29.5"
Lawrence Ferlinghetti, Jack Kerouac Portrait "Kerouacque Later", 1980s, Charcoal on paper, 18" x 24"
Robert LaVigne, Sura- Portrait of Hope Savage, 1958, Pencil on paper, 11" x 9"
Robert LaVigne, Nude with Onions, Oil on canvas, 59" x 47"
Allen Ginsberg, Cover for 'Big Fish' Magazine #13, 1994, Ink on cardboard, 17" x 13"
Peter Orlovsky, Self Portrait, Oil on shirt board, 7.5" x 15"
Carolyn Cassady, Allen Ginsberg Portrait, 2003, Oil on canvas board, 16" x 12"
Edie Parker Kerouac, Jack Kerouac Portrait, 1943, Oil on canvas, 16" x 12"
Carolyn Cassady, Neal Cassady #2, 1952, Pastel on canvas board, 9" x 12"
Jean Varda, Mirrored, 1951, Scratched glass, cement, paper, mixed media on plywood, 23.5" x 28.5"
Robert LaVigne, Lawrence Ferlinghetti Portrait, 1982, Oil on paper, 11" x 18.75"
Jean Varda, Moonrise, 1951, Sand, Cement, Scratched glass, and Collage on board, 21.5" x 32.5"
Mohammed Mrabet, Untitled #1, 1980, Ink and watercolor on cardboard, 9.75" x 12.75"
Jean Varda, The Preacher, c. 1954, Paper, Textiles, Leather on Masonite, 26" x 24"
Gregory Corso, Jack Kerouac Portrait, 1972, Red graphite on cardboard, 10.5" x 14"
Mohamed Mrabet, Untitled #2, 1980, Ink on paper, 5" x 6.5"
Brion Gysin, Sidi Slimane, 1952, Pencil on paper, 5.5" x 8"
Theophilus Brown, Man with Three Chairs, 1958, Oil on canvas, 8" x 12"
James Weeks, Mother and Child, 1955, Oil on board, 28" x 32"
James Weeks, Child in Yellow and Blue, 1962, Oil on canvas, 9" x 7"
Paul wonner, Salome Dancing, 1966, Watercolor on paper, 15" x 15"
Gregory Corso, Still Life, c. 1980, Watercolor on paper, 10.5" x 12.5"
Carolyn Cassady, Neal Cassady #1, 1952, Red ink on cardboard, 10" x 13.5"
Harold Norse, Self Portrait, 2004, Black felt on paper, 7 7/8" x 10 3/8"
Hassel Smith, Untitled, 1950, Crayon on paper, 8.5" x 11"
Lew Welch, Robert LaVigne Portrait, 1958, Oil on paper, 18" x 20"
Robert LaVigne, Lew Welch Portrait, 1958, Magic marker on paper, 17" x 13"
Robert LaVigne, Philip Whalen Portrait, 1957, Pencil on paper, 9" x 11.75"
Robert LaVigne, Allen Ginsberg & Peter Orlovsky Portrait, 1979, Pencil on paper, 17" x 24"
Robert LaVigne, Cover for study of 1971 Grabhorn Hoyem edition of "Howl" by Allen Ginsberg, 10" x 15"
Robert LaVigne, A study for the cover of the 1971 Grabhorn Hoyem edition of "Howl" by Allen Ginsberg, 10" x 15"
Robet LaVigne - Natalie Jackson portrait, 1954. 8" x 12 1/2", ink on paper.
Robert LaVigne - Study for memorial for Natalie Jackson at Foster's Cafeteria,1957. 19 7/8" x 13", pencil on paper.
Robert LaVigne, Allen Ginsberg & Peter Orlovsky Portrait, 1979 "17" x 24"
Carolyn Cassady - Neal Cassady Portrait, 1952. 9 7/8" x 13 5/8", Red ink on cardboard
Peter Orlovsky's Journal, 1956