The John Natsoulas Gallery is honored to host the Bruce McGaw Memorial Exhibition to celebrate the legacy of one of the most important Bay Area painters and teachers. The retrospective exhibit will feature a wide selection of drawings and paintings from throughout his entire career.
Bruce McGaw (1935–2025) is primarily linked to two endemic art movements from San Francisco - the Beat Movement and the Bay Area Figurative Movement. His involvement in the former began in the midst of his undergraduate studies at the California College of Arts and Crafts (Now the California College of the Arts). At nineteen, he showed his work at the historic 6 Gallery in a two-person exhibition with Manuel Neri. McGaw’s life-long interest in jazz began during the iconic Beat era, and he painted portraits of many of the prominent musicians, artists, and poets who transformed the period.
His subject-driven work made him a natural leader of the Bay Area Figurative Movement, and he was the youngest artist included in the 1957 exhibition of this subject at the Oakland Museum. His paintings and works on paper are marked by emphatic color and a focus on composition, moving fluidly between abstraction and figuration. McGaw often painted the world in and around his studio—figures, portraits, paint cans, palettes, plants, and landscapes—infusing everyday subjects with intensity and rhythm.
His youthful success translated to his endeavors in teaching too. At 21, he was hired as part of the cohort of new faculty entering the San Francisco Art Institute, which included Elmer Bischoff, Frank Lobdell, and Nathan Oliveira. He became the longest-ever tenured professor, teaching there from 1957 to 2017. He left behind an extraordinary legacy of students and colleagues who continue to carry his influence.
Beyond painting, McGaw was a voracious reader, a poet, and an unwavering supporter of social justice. His commitments extended into community life—he even joined an East Bay softball team called The Best Minds of Our Generation, a nod to the first line of Allen Ginsberg’s Howl. The roster was filled with poets, writers, and tradespeople, reflecting McGaw’s belief in art as a lived, collective practice.
Born in the East Bay, McGaw passed away there in March 2025. His art and teaching embody a profound dedication to painting, poetry, and people. This exhibition honors not only his work but also the vibrant intellectual and artistic culture he helped shape over sixty years.
Please join us on October 4 from 7:00pm to 9:00pm to celebrate his legacy.

Bruce McGaw, Self Portrait, 1965, oil on canvas, 42 x 22 inches

Bruce McGaw, Pink Face, 1957, oil on paper, 20.5 x 17.5 inches

Bruce McGaw, Pink and Landscape, 1958, oil and gouache on paper, 26.8 x 20 inches

Bruce McGaw, Room, 1958, oil and gouache on paper, 20 x 26 inches

Bruce McGaw, Kitchen Table, 1958, oil on paper, 25.75 x 22 inches

Bruce McGaw, Hands on My Knees, 1957, gouache on paper, 26.8 x 20 inches

Bruce McGaw, Fish on Chair, 1961, oil on canvas, 30 x 26 inches