THE JOHN NATSOULAS GALLERY HAS AN EXTENSIVE HISTORY OF CURATING AND PRODUCING HIGH-QUALITY, ACCESSIBLE, AND ENGAGING TRAVELING EXHIBITIONS. AVAILABLE EXHIBITIONS CAN BE CUSTOMIZED FOR YOUR SPACE’S NEEDS.
OUR AVAILABLE EXHIBITIONS
HAVE AFFORDABLE RENTAL RATES AND SHIPPING COSTS
INCLUDE WALL TEXTS, PRESS PACKETS, AND INSTALLATION INFORMATION
ARE EASY TO IMPLEMENT AND INCLUDE CURATORIAL GUIDANCE
WHO WE WORK WITH
Museums, galleries, art centers
INCLUDED ARTWORK
The John Natsoulas Gallery is pleased to offer the opportunity to interested institutions to exhibit paintings, collages, and mosaics by Jean Varda (1893 – 1971). A true Renaissance Man, Varda thrived within the Bohemian circles in Europe throughout the first half of the twentieth century. His activities with both the Cubists in Paris and the Bloomsbury Group and Surrealists in England resulted in a cultivated social network. His keen interests in the literary and avant-garde world melded within his distinct style with the Byzantine influence from his childhood in Greece. Upon departing Europe at the outbreak of WWII, he found himself enmeshed in a thriving art scene on the West Coast. In establishing new social milieus in Monterey, San Francisco, and Sausalito, he formed attachments to the leading writers and artists of the Beat Movement.
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11 mosaics, paintings, and collages
12 framed ink drawings
10 framed photographs and pieces of ephemera
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Linear Feet: 75 - 200 ft
Square Feet: 1000 - 3000 sq ft
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60 - 120 days
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Fees Include:
Press kit
Registrar’s packet
Text panels
Narrative labels
Installation Instructions
Digital video
Optional Materials:
Catalogue (Jean Varda: Renaissance Man, 2024)
Curator lecture
The John Natsoulas Gallery is pleased to offer the opportunity to interested institutions to exhibit Emmy Lou Packard (1914 – 1998). Known as a visionary artist, printmaker, and activist, her works on paper reflect Packard’s deep commitment to social justice and community. Trained as a muralist, Packard studied with Diego Rivera and formed a close friendship with Frieda Kahlo in Mexico. Upon her return to California, she became a leading voice in politically engaged art.
Her prints, often executed in linocut, feature bold, graphic compositions that celebrate workers, families, and the landscape of California. She emphasizes strength, resilience, and solidarity. A champion of accessible art, she saw printmaking as a democratic medium - one that could inspire change and empower communities.
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10 framed linoleum cuts (color and black and white)
5 framed drawings
10 framed photographs of Emmy Lou Packard. Frida Kahlo, and Diego Rivera
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Linear Feet: 75 - 200 ft
Square Feet: 1000 - 3000 sq ft
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60 - 120 days
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Fees Include:
Press kit
Registrar’s packet
Text panels
Narrative labels
Installation Instructions
Digital video
Optional Materials:
Catalogue (Emmy Lou Packard, 2022)
Curator lecture
INCLUDED ARTWORK
Arthur González turns rejection into raw material. Using letters declining his applications for residencies, exhibitions, and professional positions, González transforms each disappointing “no” into a one-of-a-kind painting. His distinctive characters emerge across the pages, bringing humor, personality, and imagination to documents that once represented closed doors. What begins as rejection becomes an opportunity for creativity, humor, and transformation.
González is an internationally exhibiting artist with over fifty one-person shows in the last forty years, including eight in Manhattan, New York. He has received many awards including the Virginia Groot Foundation twice and is an unprecedented four-time recipient of the National Endowment of the Arts Fellowship within a ten-year period. He is also in numerous public collections including the Museum of Modern Ceramic Art in Gifu, Japan, the Smithsonian Archives of American Art, the Oakland Museum of California and the Crocker Art Museum in Sacramento.
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55 framed and matted unique Letters of Rejection (16.5 × 13.5 inches framed)
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Linear Feet: 50 - 150 ft
Square Feet: 60 - 1000 sq. ft
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60 - 120 days, or as requested
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Fees Include:
Press kit
Registrar’s packet
Text panels
Narrative labels
Installation Instructions
Digital video
Optional Materials:
Catalogue (The Art of Rejection)
Curator lecture