THE JOHN NATSOULAS GALLERY HAS AN EXTENSIVE HISTORY OF CURATING AND PRODUCING HIGH-QUALITY, ACCESSIBLE, AND ENGAGING TRAVELING EXHIBITIONS. AVAILABLE EXHIBITIONS CAN BE CUSTOMIZED FOR YOUR SPACE’S NEEDS.


OUR AVAILABLE EXHIBITIONS

  • HAVE AFFORDABLE RENTAL RATES AND SHIPPING COSTS

  • INCLUDE WALL TEXTS, PRESS PACKETS, AND INSTALLATION INFORMATION

  • ARE EASY TO IMPLEMENT AND INCLUDE CURATORIAL GUIDANCE

MORE INFORMATION

John Natsoulas

[email protected]

tel. 530-756-3938

WHO WE WORK WITH

Museums, galleries, art centers

INCLUDED ARTWORK

The John Natsoulas Gallery is pleased to offer the opportunity to interested institutions to exhibit paintings, collages, and mosaics by Jean Varda (1893 – 1971). A true Renaissance Man, Varda thrived within the Bohemian circles in Europe throughout the first half of the twentieth century. His activities with both the Cubists in Paris and the Bloomsbury Group and Surrealists in England resulted in a cultivated social network. His keen interests in the literary and avant-garde world melded within his distinct style with the Byzantine influence from his childhood in Greece. Upon departing Europe at the outbreak of WWII, he found himself enmeshed in a thriving art scene on the West Coast. In establishing new social milieus in Monterey, San Francisco, and Sausalito, he formed attachments to the leading writers and artists of the Beat Movement.

The John Natsoulas Gallery is pleased to offer the opportunity to interested institutions to exhibit Emmy Lou Packard (1914 – 1998). Known as a visionary artist, printmaker, and activist, her works on paper reflect Packard’s deep commitment to social justice and community. Trained as a muralist, Packard studied with Diego Rivera and formed a close friendship with Frieda Kahlo in Mexico. Upon her return to California, she became a leading voice in politically engaged art.

Her prints, often executed in linocut, feature bold, graphic compositions that celebrate workers, families, and the landscape of California. She emphasizes strength, resilience, and solidarity. A champion of accessible art, she saw printmaking as a democratic medium - one that could inspire change and empower communities.

INCLUDED ARTWORK

Arthur González turns rejection into raw material. Using letters declining his applications for residencies, exhibitions, and professional positions, González transforms each disappointing “no” into a one-of-a-kind painting. His distinctive characters emerge across the pages, bringing humor, personality, and imagination to documents that once represented closed doors. What begins as rejection becomes an opportunity for creativity, humor, and transformation.

González is an internationally exhibiting artist with over fifty one-person shows in the last forty years, including eight in Manhattan, New York. He has received many awards including the Virginia Groot Foundation twice and is an unprecedented four-time recipient of the National Endowment of the Arts Fellowship within a ten-year period. He is also in numerous public collections including the Museum of Modern Ceramic Art in Gifu, Japan, the Smithsonian Archives of American Art, the Oakland Museum of California and the Crocker Art Museum in Sacramento.

INCLUDED ARTWORK